In her new series for TheNew York Times called "The United States of Subsidies," investigative reporter Louise Story examines how states, counties and cities are giving up more than $80 billion each year in tax breaks and other financial incentives to lure companies or persuade them to stay put.
We call them "buttons" and "deadrolls" — and, less cryptically, "breaks" — but most NPR listeners know them as the interstitial music spots that pepper NPR's newsmagazines. They add shading, mood, energy and other nonverbal context to our stories.
One of the holiest sites in Christendom has also been one of the most contested. The Church of the Holy Sepulcher in Jerusalem lies on the site where Jesus Christ is said to have been crucified and buried.
Multiple Christian denominations share the church uneasily, and clerics sometimes come to blows over the most minor of disputes. The Roman Catholic, Greek Orthodox, Armenian Apostolic, Coptic Orthodox, Ethiopian Orthodox and the Syriac Orthodox all have a presence in the church.
The director Francois Truffaut once remarked that it takes as much time and energy to make a bad movie as to make a good one. He was right, but I would add one thing: It takes extraordinary effort to make a truly memorable flop.
The best example is Heaven's Gate, the hugely expensive 1980 movie by Michael Cimino that is the most famous cinematic disaster of my lifetime. It's part of that film's legend that it not only took down a studio, United Artists, but was the nail in the coffin of Hollywood's auteur filmmaking of the 1970s.