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South Florida's Film Industry Is Dying. What Can Save It?

"Moonlight" director Barry Jenkins went toe-to-toe with producers to film his Oscar-nominated movie in Miami.
David Bornfriend
/
Courtesy of A24
"Moonlight" director Barry Jenkins went toe-to-toe with producers to film his Oscar-nominated movie in Miami.
"Moonlight" director Barry Jenkins went toe-to-toe with producers to film his Oscar-nominated movie in Miami.
Credit David Bornfriend / Courtesy of A24
/
Courtesy of A24
"Moonlight" director Barry Jenkins went toe-to-toe with producers to film his Oscar-nominated movie in Miami.

It’s been a point of pride for many South Florida film lovers that "Moonlight," an Oscar-nominated coming-of-age movie set in Liberty City, was mostly shot in Miami.

But it almost wasn’t.

Writer-director Barry Jenkins stuck to his guns and convinced his producers to forgo the huge film tax incentives offered by other states and shoot here. Florida's own  film and TV tax incentive fund ran dry last year and has not been replenished.

In the interview below, Miami Herald film critic Rene Rodriguez tells us what effect that’s having on South Florida’s film industry:

HIGHLIGHTS

Once upon a time . . . 

Between 1994 and 1996, an average of 15 feature-length films per year were shot in South Florida from start to finish.  "That was considered the hey-day, the big boom of filmmaking in Miami,"says Rodriguez. "And it was a side-effect, I think, of 'Miami Vice' in the 1980s." 

But, in the early 2000's . . .

Canada started courting American film and television companies and managed to lure several big-budget productions away from the United States.   That led individual U.S. states to offer production companies . . .

Tax Incentives!

Florida had its own tax incentive plan, the Florida Entertainment Incentive Program, until last year.  In 2010, the Florida Legislature set aside nearly $300 million in tax credits for film, TV and video production to be awarded only after production had wrapped. The fund was supposed to last for five years, but ran out in three. In 2016, Florida lawmakers refused to replenish the fund.  And that's leaving South Florida's film industry . . .

On "Life Support"

The lack of incentives is making it well-nigh impossible for Florida to compete with other U.S. states, like Georgia, that offer generous incentives -- some as much as 30 percent in tax credits. And so Florida film and television industry pros are looking for . . .

Possible solutions

The Congress of Motion Picture Associations of Florida (COMPASS) is championing a bill that would establish a direct investment program that won't rely on tax incentives. Miami-Dade's Office of Film and Entertainment hopes to put a plan before county commissioners this summer that would offer some sort of incentives to production companies. Film Florida, a non-profit entertainment production association, is working on a proposal that would tie incentives to education, offering production companies a 5- to 20-percent reimbursement for any project that hires a Florida college or university graduate for a key role — like actor, writer or director. But in the meantime . . .

Much of the talent is leaving Florida

In recent years,  people employed in below-the-line jobs that don't involve acting, directing or writing -- make-up artists, gaffers, electricians, location scouts -- have been leaving Florida in droves. "Once too many people move away, there's no infrastructure left in place," says Rodriguez.

"So even if you want to come and shoot your film in Miami, you can't -- because there's nobody to help you make it." 

Copyright 2020 WLRN 91.3 FM. To see more, visit WLRN 91.3 FM.

Years ago, after racking her brains trying to find a fun, engaging, creative night gig to subsidize her acting habit, Chris decided to ride her commercial voiceover experience into the fast-paced world of radio broadcasting. She started out with traffic reporting, moved on to news -- and never looked back. Since then, Chris has worked in newsrooms throughout South Florida, producing stories for radio broadcasts and the web.