Linda Holmes
Linda Holmes is a pop culture correspondent for NPR and the host of Pop Culture Happy Hour. She began her professional life as an attorney. In time, however, her affection for writing, popular culture, and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living room space to DVD sets of The Wire, and never looked back.
Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Her first novel, Evvie Drake Starts Over, was published in the summer of 2019.
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The only thing more satisfying than a win is a comeback win. NPR culture critic — and Philadelphia Phillies fan — Linda Holmes offers advice on how to persevere through a long losing streak.
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What if there were Olympic medals for audience participation, or the best use of an accessory? NPR’s pop culture critic doles them out.
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Some lucky sports fans are in Paris, but most Olympics viewers are watching from home. NPR Pop Culture Critic Linda Holmes gives host Scott Simon her review of the broadcast coverage so far.
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In a Google ad now pulled from Olympics coverage, a dad uses AI to craft a fan letter from his daughter. It’s the wrong approach to express admiration in a star athlete – and to instill confidence in a burgeoning one.
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Simone Biles is the most decorated gymnast in history. But she withdrew from the last summer Olympic Games due to mental health struggles. Her journey is chronicled in the new Netflix series Simone Biles Rising.
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Just in time for the All-Star Game, pop culture critic and Phillies fan Linda Holmes is here to persuade you to turn on some baseball. If you don't have a team, just borrow hers; they're doing pretty well.
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The newest iPad ad depicts instruments, books and art supplies flattened into Apple's thinnest product ever. But anyone who owns and loves art in any form knows: The practicality isn't the point.
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For a night with relatively few surprises but some very enjoyable winners, it was a solid show that honored an awful lot of good movies, and movies that drew significant audiences.
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Christopher Nolan's Oppenheimer capped off a big night at the Oscars by being the popular and highly regarded director's first film to win the top prize.
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Super Bowl viewership isn't faltering in the same way broadcast, cable and awards shows are. But do we really need mass consumption of the same cultural work? Or just smart and connected consumption?