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What do sitcoms, dramas and reality TV say about poor people? For our yearlong series exploring poverty, NPR's Elizabeth Blair takes a look at the television shows that place the poor center stage.

Since it was created in 2012, the MiTú network has been rapidly expanding to meet demand for Latino Web content. Now, it's partnering with Televisa, a Spanish-language media company.

Pointing to “protectionism,” a major satellite-television company is asking the U.S. Supreme Court to take up a constitutional challenge to a Florida...

Fresh Air TV critic David Bianculli says two new miniseries this week are worth special mention — and couldn't be more different. The Spoils Of Babylonis a miniseries soap-opera spoof on IFC; True Detectivelooks like the best HBO drama since The Wire.

Hollywood memorabilia collector James Comisar is relinquishing a trove of items — from scripts to costumes and even fake mustaches — that have taken decades to amass.

The ad wars are about to start in earnest. And the best-funded superPAC is about to dominate the airwaves in support of Jeb Bush.

Now that the national conventions have concluded, NPR TV critic Eric Deggans looks back on both, judging them purely as television programs. Policy aside, did either convention make for compelling TV?

It's been more than a year since the last season of Game of Thrones ended. It is a show with a lot of characters and a lot of moving parts. So how was it? Our TV critic has a review.

"Fiction is life with the dull bits left out." That is just one of the many clever observations of the writer, TV host and cultural critic Clive James. He died Sunday in Cambridge, England.

Tina Fey co-created the quirky comedy The Unbreakable Kimmy Schmidtfor Netflix ;John Ridley made the emotionally raw drama American Crime for ABC. TV critic David Bianculli says they're both good.