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Photography

  • Conservation photographer Ian Wilson-Navarro was born in Miami but has lived his entire life in Key Largo. He got his first camera as a teenager, and first visited the Dry Tortugas around that same time camping and fishing with his father. In 2021, he and a friend were chosen for a National Parks Arts Foundation artist residency in the Dry Tortugas on Loggerhead Key. His proposal for the residency pitched the idea of capturing images to create a book, and that book is now out. "Dry Tortugas: Stronghold of Nature" was published last month by University Press of Florida. It features about 200 of his photographs along with essays by people with intimate knowledge of the park who explore its history, culture, and environment.
  • Kirsten Hines started out as a wildlife biologist, but pretty early on found herself drawn to telling stories with images and words about the natural world, rather than collecting data about it. Her photographs and writings have since appeared in numerous exhibitions and publications, including eight books — the latest of which is “Wild Florida: An Animal Odyssey.” It’s like a conversational field guide that explores ecological concepts like the “why” behind Florida’s animal diversity, and its blending of critters from the tropics with those from North America.
  • A conversation with artist and conservationist Niki Butcher ahead of an exhibition of her work opens at the Marco Island Historical Museum titled “Daydreaming: Niki Butcher’s Hand-Painted Photography.”
  • Kirsten Hines started out as a wildlife biologist, but pretty early on found herself drawn to telling stories with images and words about the natural world, rather than collecting data about it. Her photographs and writings have since appeared in numerous exhibitions and publications, including eight books — the latest of which is “Wild Florida: An Animal Odyssey.” It’s like a conversational field guide that explores ecological concepts like the “why” behind Florida’s animal diversity, and its blending of critters from the tropics with those from North America.
  • Kirsten Hines started out as a wildlife biologist, but pretty early on found herself drawn to telling stories with images and words about the natural world, rather than collecting data about it. Her photographs and writings have since appeared in numerous exhibitions and publications, including eight books — the latest of which is “Wild Florida: An Animal Odyssey.” It’s like a conversational field guide that explores ecological concepts like the “why” behind Florida’s animal diversity, and its blending of critters from the tropics with those from North America.
  • One of the artists participating in the Alliance for the Arts' Storm Stories exhibit in September is photojournalist Kinfay Moroti. Through 11 paired photographs, he presents "Hope: The Other Side of Hurricane Ian." He shares where his inspiration for the exhibition comes from.
  • An exhibition titled “Prison Nation,” is now at the Baker Museum at Artis-Naples. Through photography, the exhibition creates a visual record of the national crisis of mass incarceration. We talk with the exhibition’s co-curator Nicole Fleetwood, Ph.D., who will deliver a lecture about the exhibition Aug. 31 at the Baker Museum.
  • Naples photographer Michelle Tricca is working to alter the perception of Immokalee, Florida with larger-than-life murals. “The Face of Immokalee” is an effort to honor, humanize and put a face to the people of the predominantly agricultural community.
  • A popular photo of a female Florida panther, with her kitten trailing behind, is set to be the third image featured on the state’s “Protect the Panther” specialty vehicle tag.The picture was taken in 2018 by famed National Geographic photographer Carlton Ward Jr. on the Babcock Ranch, which is about 15 miles north of Fort Myers and just north of the Caloosahatchee River when the panther duo tripped one of his remote cameras.
  • A Naples photographer has released a book of local natural images, in time for Earth Day on Saturday April 22. WGCU’s Cary Barbor and Andrea Melendez tell the story: