
Bob Mondello
Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.
For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.
Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.
Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.
Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.
An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."
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A wedding is disrupted by a kidnapping in Everybody Knows, a film starring Penélope Cruz and Javier Bardem, and directed by award-winning Iranian director Asghar Farhadi of A Separation.
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Carol Channing, who created iconic parts in the Broadway musicals Hello, Dolly! and Gentlemen Prefer Blondes, died Tueday. She was 97.
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What's your preference: hagiography or demonization? A biopic about Ruth Bader Ginsburg is blandly positive, while another about Dick Cheney offers an extended, if entertaining, screed.
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In Mary Poppins Returns, Emily Blunt takes on the role of the supercalifragilistic nanny made famous by Julie Andrews in 1964.
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Director Barry Jenkins' follow-up to his Oscar-winner, Moonlight, is a swoony adaptation of the James Baldwin novel, If Beale Street Could Talk.
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In the lush historical tragedy, Mary Queen of Scots, Saoirse Ronan and Margot Robbie play the title character, and her cousin and nemesis Queen Elizabeth.
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The filmmaker died of cancer at his home in Rome Monday. Bertolucci's films, which include The Conformist and The Last Emperor, enthralled and shocked the world.
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Master magician Ricky Jay has died. Throughout his career, he amazed audiences with card tricks and even consulted on some Hollywood films including Ocean's Thirteen and The Prestige.
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The official entry for Best Foreign Language film from Mexico is Roma, director Alfonso Cuarón's black-and-white reimagining of his middle class childhood home in Mexico City.
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In the biopic Bohemian Rhapsody, Rami Malek plays Freddie Mercury, the lead singer of the rock group Queen. In the documentary Maria by Callas, opera singer Maria Callas speaks for herself through letters and interviews.